Atlassian, Melbourne by WAM & Greenaway Architects

The open plan reception space of Atlassian's office. Timber flooring, a green reception desk featuring a decorative 'A',, semi-sheer green printed curtain divider, industrial style overhead pendant lights and blue exposed services on the celling.

Jean Ngwarraye Long’s Native Seeds design in ‘Olive’ on our Commercial Sheer, at Atlassian’s Melbourne headquarters. Photo: Nicole England.

In this Naarm (Melbourne) workplace, Warren & Mahoney (WAM) and Greenaway Architects have subtly layered First Nations design throughout.

At reception, visitors are greeted by a translucent curtain featuring Jean Ngwarraye Long’s Native Seeds design in ‘Olive’, on our Commercial Sheer fabric.

Along with work from First Nations artists Illuka Sax Williams and Tommy Day III, our designs help localise the hub, and subtly infuse spaces with Indigenous creativity and storytelling.

Willie Weston Native Seeds 'Olive' design for drapery, featuring delicately patterned contemporary Aboriginal artwork by Central Australian First Nations artist Jean Ngwarraye Long.

Jean Ngwarraye Long’s Native Seeds design in ‘Olive’ on our Commercial Sheer.

Courtesy of the curative efforts of Willie Weston... the work of Jean Ngwarraye Long’s pattern ‘Native Seeds’ features subtly in the sheer curtain divider behind reception...Lee-Anne Wiliams’ pattern ‘Water Levels’ is woven into the curtain in the parents and multi-faith room, and Kathleen Korda’s pattern ‘Durrmu (KK)’ is incorporated into the wall panels of a presentation room on Level 20.
— Jefa Greenaway, Greenaway Architects
Black and white portrait of Indigenous woman with painted background.

Jean Ngwarraye Long. Photo: Artists of Ampilatwatja.

Willie Weston Native Seeds 'Olive' design for upholstery, drapery and wallpaper, featuring delicately patterned contemporary Aboriginal artwork by Central Australian First Nations artist Jean Ngwarraye Long.

Native Seeds design in ‘Olive’.

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