Journey Beyond Luxury Rail by Woods Bagot

Banquette and booth seating within the Journey Beyond luxury train carriage, featuring upholstery in deep red and terracotta tones alongside more neutral greys, creams and gold accents.

Designed by global design studio Woods Bagot, the sumptuous new interiors of the recently revitalised Journey Beyond luxury train carriages have prompted coveted international nominations for their inspired design – including by Deezeen, Restaurant and Bar Design and Frame Awards.

Willie Weston’s Durrmu (KK) design by Kathleen Korda has been incorporated into a rich material palette, developed by the design team to resonate with the unique landscapes the trains traverse. Hues of ghost gum and paperbark sit alongside the deep reds and familiar terracotta tones of Central Australia’s terrain.

This new fit-out of the carrier’s Outback Explorer Lounges, Gold Cabins and Queen Adelaide Restaurants incorporates meticulously crafted and repurposed fittings, plush upholstery, bespoke carpeting and a discerning blend of historic art deco features and refined, contemporary touches. Woods Bagot Principal, Rosina Di Maria, describes the design response as “deeply contextual to the history and topography of Australia, referencing the lands across which the train travels and the people who live on it.” 

A dining experience within Journey Beyond's luxury carriages. Booth seating upholstered in a rich earthy terracotta print. Soft lighting, marble and gold trims and white table cloths add to the lavish interior.

Printed on our High Performance / Outdoor base cloth, Durrmu (KK) in ‘Terra’ by Kathleen Korda is well suited to Journey’s Beyond’s lavish interiors.

A different view inside Journey Beyond's Gold Class carriages. Printed upholstered booths run alongside the carriage windows. The colour palette references the Australian landscape the train passes through.

Durrmu (KK) in ‘Terra’ by Kathleen Korda has been used to upholster seating on Journey Beyond’s Gold Class carriages. Photo: Nicole England.

Black and white portrait of Indigenous woman with white background.

Kathleen Korda. Photo: Durrmu Arts.

Kathleen Korda was born and educated at the Daly River Mission. In the 1960s, when she was a teenager, she moved out to Peppimenarti, where her mother and grandmother taught her to weave baskets, string bags and fish nets. Kathleen lived at Peppimenarti with her five daughters and twelve grandchildren. She established herself as a leading weaver at Durrmu Arts, receiving a Highly Commended award in the Togart Art Awards in 2013. Kathleen passed away in 2025.

Kathleen Korda’s original painting, the basis of our Durrmu (KK) design, represents traditional body painting designs applied to male and female faces and torsos for ceremonial dance. The dots are referred to as durrmu - which also means painting.

Read more about the project in our online journal HERE.

Arid Australian outback landscape in the West McDonnell Ranges, near Alice Springs. Mountains, rocks, shrubs and trees in greens, browns, reds and greys, under a warm glow at sunset.

The interior colour palette references Australian landscape, seen here in the West McDonnell Ranges, near Alice Springs.

Willie Weston Durrmu (KK) ‘Terra' design for upholstery, featuring delicately patterned contemporary Aboriginal artwork by First Nations artist Kathleen Korda from Peppimenarti, NT

Durrmu (KK) in ‘Terra’ is also available in 'Berry', ‘Pippi' and 'Obsidian' across our collection of commercial and residential base cloths.

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Koorie Heritage Trust by Lyons, Greenaway Architects & Architecture Associates